Psychodrama techniques in lyrical satire by M. Tsvetaeva «Pied piper»
UDK 82-121 BBK 80/84
The article discusses the various psychodrama techniques used by M. I. Tsvetaeva in the lyrical satire «Pied Piper». The author draws attention to the marked reciprocity of the text by Tsvetaeva, which seems an attempt to talk with herself. In this regard, Tsvetaeva violates stylistic unity, employs various syntactic markers and nonce-words. The author pays special attention to the analysis of the techniques of the personification of inanimate objects and their transformation. The author comes to the conclusion about the psychodrama nature of Tsvetaeva’s poetry.
Keywords: Psychodrama, reciprocity, bifurcation, effectiveness, associative chaos, syntactic markers, nonce words, improvisation, personification, transformation.
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